By Ian Bremner

My Woman is out and Angel Olsen is heading on tour with a 6-piece band. The amount of bandmembers may sound overkill for anyone who associates Olsen with the lo-fi songwriting tendencies of her previous albums. Turns out, the only overkill is the “lo-fi” descriptor itself, still being applied to her.

Though there are lo-fi elements from time to time, My Woman is so far beyond that. My Woman is a gorgeous rock n roll record, whose layers grow upon each listen. The first 5 tracks set the tone with a controlled, raucous feel. Electric guitar, synths, and drums fill the soundscape with Angel Olsen’s voice in full command throughout. The last 5 tracks slow it down and stretch it out.

Where the first two singles, Intern and Shut Up Kiss Me, demonstrate the direction Olsen is taking, there is a noticeable shift in the album at Heart Shaped Face, the sixth track. My Woman plays like a classic A-Side/B-Side record. The A-Side ROCKKSS and the B-Side BURNNSS. By the time album standout, Sister comes around, Olsen’s voice is steady at the forefront, rolling over Crazy Horse-styled guitar solos. It’s an eerie, lonesome type of beauty best found in classic 70’s albums. My Woman packs plenty of punch, but the two, 7-minute burners (Sister and Woman) stick out most without isolating themselves from the bunch.

Watch the beautiful video for Sister and listen to My Woman via spotify (Jagjaguwar)

Video for Pops

My Woman